Myroslava Khomik, solo violinist, and Tigran Arakelyan, conductor, are shown back stage after today’s concert with the Port Townsend Symphony Orchestra. Ms. Khomik played the Violin Concerto in E minor by Mendelssohn and the audience loved her performance. She is a gracious person as shown in the photo of her interaction with people after her performance. Thank you for sharing your beautiful music with our Olympic Peninsula community!
The inaugural PTSO Young Artist Competition 2019 was held on Saturday, November 23, 2019 at Grace Lutheran Church in Port Townsend. Family members, music teachers and PTSO members formed an appreciative audience.
Each young musician played a solo piece with piano accompaniment. After each performance the judges coached the participants, giving them tips to help improve individual challenges that they faced in their pieces. The coaching included technical tips, phrasing suggestions, music history information and stylistic discussions.
This year’s participants were:
Cora Brinton violin, Lisa Lanza piano – Concerto in A minor, Vivaldi
Kincaid Gould clarinet, Lisa, piano – Concertino in Eb, von Weber
Aliyah Yearian violin, Lisa, piano – Csardas by Monti
Zia Magill violin, Liz Hopkins, piano – Concerto in A minor by Bach
Judges were Sheila Harwood (pianist), David Krabill (bassoonist) and Pamela Roberts (cellist).
Radetzky March by Strauss with Phil Andrus conducting. Nutcracker Suite by Tchaikovsky. Violin Concerto in E minor by Mendelssohn with soloist Myroslava Khomik.
Chimacum High School Auditorium, 7:30 pm.
Click “Continue Reading” for access to the program notes by Miles Vokurka.
Ukrainian-born violinist Myroslava Khomik is a top prize winner of international competitions and awards, including the Remember Enescu Competition in Romania, and the New Names of Ukraine .
She has appeared as a soloist and as a chamber music collaborator in concerts and festivals throughout the US, Europe, South America and Asia, and her performances were broadcast on National TV and Radio in Ukraine, Spain, the US, Japan, Mexico, Brazil and Argentina. In May of 2019 she was named a New Artist 2018 by the Classical Music Critics Association of Argentina after her successful debut in Buenos Aires with the Orquesta de Cámara del Congreso de la Nación.
Based in Los Angeles, Ms. Khomik is an avid promoter of contemporary composers, educational outreach, and regularly participates in premieres of new works. Most recent highlights include two new commissions for solo violin and an upcoming release of her debut album; performances with Orquestra Sinfonica EAFIT i n Medellin, Colombia, Orquesta Filarmónica de Zacatecas, Sinfonica Orquestra de Barra Mansa, Orquestra de la Societat de Concerts de Barcelona, Kyiv Kamerata, as well as residencies in Brazil and Argentina with music programs for underprivileged children.
A devoted chamber music advocate, Ms. Khomik had the privilege of collaborating and performing alongside many distinguished artists, such as members of the Borromeo, Jerusalem, Ysaye and Tokyo String Quartets, Midori Goto, Oleh Krysa, Carol Wincec, Fred Sherry, Ronald Leonard, Robert Davidovici, Michelle Zukovsky, Antonio Lysy, Guillaume Sutre, Movses Pogossian, among others. She frequently appears in chamber music series in Los Angeles (LACMA Sundays Live, Broad Stage Series, Redcat Series, among others), in New York and throughout Europe.
Ms. Khomik received her Performance Diploma from Lviv Krushelnytska School of Music in Ukraine, and after continuing her education in the US she received her Doctor of Musical Arts degree at the University of California, Los Angeles, where she also held a position of the Teaching Associate of Chamber Music in the string department.
Ms. Khomik regularly performs with several orchestras in Los Angeles, including the Los Angeles Opera Orchestra and the Los Angeles Master Chorale. She can be heard on various recordings for film and television, and is a member of the Las Vegas Philharmonic. Ms. Khomik served as an adjunct professor at Fullerton College and is currently on faculty as a violin and chamber music teaching artist at Biola University and at the Montecito International Music Festival.
When Dave Krabill was just a wee lad growing up on an Ohio farm, he gladly traded a pair of udders for ivory keys.
“I practiced the piano an hour a day when I was a kid, and the basson
half an hour a day,” Krabill said. “My dad told me I didn’t have to
come out and milk the cows in the morning if I practiced the hour of
piano. After school, it was in the barn.”
Krabill, 68, of Port Townsend, is principal bassoonist with the Port
Townsend Symphony Orchestra and co-principal bassoonist with the Port
Angeles Symphony and the Port Angeles Chamber Orchestra.
Even though he has been performing bassoon for about most of his
life,Krabill still practices his chops for hours a day. His goal now is
to perform “Bassoon Concerto in B-flat major,” by Mozart without errors
during the season opening show of the Port Townsend Symphony Orchestra.
David Krabill is principal bassoonist with the Port Townsend Symphony Orchestra and co-principal bassoonist with the Port Angeles Symphony and the Port Angeles Chamber Orchestra.
Originally from Ohio, Dave studied at Kent State University and had further studies at the Cleveland Institute of Music. He spent several summers at the Blossom Festival of Music studying with members of the Cleveland Orchestra.
He moved to Canada in the early 1970s to play principal bassoon with
the Atlantic Symphony Orchestra in Halifax, Nova Scotia. He also
performed frequently for CBC Radio and Television. Along with his wife,
Anne, he was a member of the East Coast Woodwind Trio and the Scotia
Winds quintet, and taught bassoon and chamber music at Dalhousie
University.
Dave plays on a vintage Heckel bassoon made in 1928.
Dave and Anne raised their four children in Port Townsend and they are delighted that their two grandsons also call Port Townsend home.
It was February of 1987. An article in
the Port Townsend Leader proclaimed, “Cellist Launches Solo Effort
to Create County Orchestra”. Michael Ann Burnett, organizer and
director of a new Port Townsend amateur orchestra said, “I really
want to hear from people who are using the barrels of their clarinets
as match holders”. The call went out to closet musicians to bring
your instrument to the Port Townsend High School orchestra room on
Thursday evening, February 19. It was off the ground. The orchestra
was put together as a non-profit organization, with tuition from
participants and a promise that concerts would always be free.
The first concert of the Port Townsend
Community Orchestra was during the Port Townsend Rhododendron
Festival on May 14, 1987, at the Fort Worden Theater. The
orchestra was composed of 46 performers being directed by Michael-Ann
Burnett. The music was high school level arrangements.
To be honest, we did sound like some of
us had been using our instruments for match holders over the years.
Some of us had last played 20 years before in school. A few had
started learning an instrument as an adult and had never played in a
concert, and the timpanist had never played one before. We were held
together by a few much more accomplished musicians, including local
band teachers and retired and professional musicians. We also didn’t
have a very balanced instrumentation as our 9 flutes could attest.
Much of the first audience was made up of our families and
friends…but we had an orchestra.
The
Port Townsend Community Orchestra began when an Advertisement was
placed in the local Port Townsend Leader urging area musicians to
pull their instruments out of the attic, dust them off, and come
together on Tuesday evenings to begin rehearsing music to be shared
with the community. To support the orchestra, players were asked to
pay a tuition fee of $25 per concert. The continued generous support
of our area communities has eliminated the tuition though members are
still encouraged to donate. The original board members behind this
effort were Sandy Barker, Helen Bonny, Janel Carlson, Kathy Hill,
Dott Kelly, and Bob Marriott. The orchestra began in the Spring of
1987 under the direction of Michael-Ann Burnett — a cello player who
offered cello lessons at her local music studio — with the premiere
performance held at the Wheeler Theater at Fort Worden State Park,
May 24, 1987.
Once
rehearsals began preparatory to the premier performance, I was asked
to serve on the board as a representative for the playing members.
Among the first to respond to my request for volunteers to assist
with various tasks was Joanie Hendricks who began serving for many
years as Orchestra Librarian and Historian. By the time we entered
our first full season, I began serving as Vice President of the
board.
With
rehearsals held at Port Townsend High School, performances continued
at the Wheeler Theater at Fort Worden State Park until the audience
seating was surpassed in 1991. Performances then moved to Port
Townsend High School and then eventually to Chimacum High School with
some alternating between the two schools.