Port Townsend Chamber Music Series: Oct. 3, 2026

The Port Townsend Chamber Music Series is performing “The Breath and the Bow” on Saturday, October 3 at 2 pm at the Lutheran Church of the Redeemer, 45 Redeemer Way, Chimacum. The concert is free to attend and donations are gratefully accepted at the door to benefit the Port Townsend Symphony Orchestra. No tickets or reservations are required and there will be a short reception after the concert.

Artistic directors for the chamber music series are Michael Carroll, Sung-Ling Hsu and Pamela Roberts.

Carroll shared, “The Breath and the Bow” program features the warm, organic resonance of wind instruments with the rich textures of string masterworks, creating an afternoon of contrasting music between air and friction. Audiences will experience a cross-section of chamber repertoire, opening with the Tango Etude by Astor Piazzolla—which highlights the soaring capacity of the solo clarinet —before shifting to string-driven pieces like the Sonata for Solo Cello in B minor by Zoltán Kodaly that puts the expressive qualities of the bow front and center.”

Clarinetist Joel Wallgren added, “What makes this program so thrilling is how it spotlights the friction between our two worlds. As a clarinetist, my instrument relies entirely on air and a single reed to sing, whereas the strings use tension and friction to pull music from their instruments. ‘The breath’ and ‘the bows’ create an exciting, contrasting sound experience.”

Featured performers are Joel Wallgren, clarinet; Tamara Rotz, flute; Michael Carroll, piano; Sung-Ling Hsu, viola; Bennett Clark and Pamela Roberts, cello.

Cellist Bennett Clark attended the University of Washington and graduated from Indiana University School of Music. He studied cello with Janos Starker, Leonard Rose and Eva Heinitz. He then lived abroad working as principal cellist, assistant principal and member of professional symphony orchestras in four countries overseas. Later returning to his native Washington State, he had a 30-year career in IT business computing. Bennett continues as principal cellist in Seattle’s Philharmonia Northwest chamber orchestra, and plays with Port Angeles Symphony Orchestra. Now retired, he recently moved from Seattle to Sequim.

Pianist Michael Carroll studied with Robert Van Meter at Clarion State College, among others. He moved to Seattle in 1990 where he has played numerous recitals, chamber music performances and concertos. As an experienced choral and vocal accompanist, he performed with many Seattle ensembles and soloists. Carroll was staff pianist/program annotator for 10 years for Seattle’s Thalia Symphony. He lives in Port Ludlow and is Co-Artistic Director of the Port Townsend Chamber Music Series.

Pianist and violist Sung-Ling Hsu is from Taiwan and immigrated to the United States in 2014. She started learning the piano at the age of 6 and viola at the age of 8. Sung-Ling majored in composition while studying at university. After graduating from university, she worked in scoring and sound effects design. At present she is devoted to chamber music. Sung-Ling is pianist at the Port Ludlow Community Church and for the Choral Belles. She is Associate Director of the Port Townsend Chamber Music Series.

Cellist Pamela Roberts graduated from the UW, studying with Eva Heinitz and Toby Saks. She was faculty cellist at the University of Puget Sound, principal cellist of the Tacoma Symphony, solo cellist in Seattle’s 5th Avenue Theatre Orchestra and a fellowship recipient at the Aspen Music Festival where she studied with Alan Harris. An educational administrator for 30 years, Roberts returned to cello when she retired. She is principal cellist in the Port Townsend Symphony Orchestra and Co-Artistic Director of the Port Townsend Chamber Music Series.

Flautist Dr. Tamara Rotz specializes in historical performance on flute, violin and viola. Principal flutist with the Baroque Chamber Orchestra of Colorado, she has soloed with the Dallas Bach Society and Port Angeles Symphony, among others. As a violinist/violist she has performed with many regional symphonies. Dr. Rotz holds a Master of Music Performance degree from Indiana University’s Early Music Institute and a Ph.D. in Learning Technologies from the University of North Texas. She works at Peninsula College as the eLearning Administrator and is a coach for the Kitsap Philharmonic Youth Symphony.

Clarinetist Joel Wallgren, a Poulsbo native, began studying clarinet with Julie Werth in 1998 and continued his studies with Laura Deluca in 2001. He went on to study clarinet with Russell Dagon, Steven Cohen, and J. Lawrie Bloom at Northwestern University. He is Executive Director of the Poulsbo Community Orchestra where he works to keep classical music alive in our community.

PROGRAM
~ Tango Etude for solo clarinet by Astor Piazzolla
~ Miniatures for flute, clarinet and piano by William Grant Still
~ Three pieces for Cello and Piano: Piece en forme de Habanera by Maurice Ravel, Prayer from Jewish Life by Ernest Bloch and Cantique by Nadia Boulanger
~ Sonata for Solo Cello in B minor, Mov. I by Zoltán Kodaly
~ Trio for clarinet, viola and piano (Kegelstatt), K. 498 by W.A. Mozart
~ “Miss Celie’s Blues” for solo clarinet by Quincy Jones

Port Townsend Chamber Music Series – May 23, 2026

Congratulations to our Port Townsend Chamber Music Series musicians for another outstanding concert today, May 23, 2026. Thank you to First Baptist Church in Port Townsend for hosting this benefit event and to the standing room only audience who generously donated to the PTHS music program. It takes a village!

Shown in the photo are front row l. to r.: Thomas Blomster, Guy Smith, Kristin Smith, and Kristina Holm. Middle row l. to r. Tyrone Beatty, Pamela Roberts and Stephanie M. Neumann; back row l. to r. Susan Titus, George Shaffer, Sonya Shipley, Phil Hirschi, Sung-Ling Hsu, Michael Carroll, Gina Tran and Kim Clarke. (Not pictured are Bobbie Nikles, Roland Nikles, Haydn Montgomery and Marina Rosenquist.) (Photo by Craig Sibley)

Thank you also to our PTSO helpers Rebecca Carroll, Anne Shaffer, Cathi McDade, Robert Nathan and Nan Toby Tyrrell.

PROGRAM

Hallelujah by Leonard Cohen
La Llorona Mexican folk tune
Oye Como Va by Tito Puente

Thomas Blomster, Hayden Montgomery, George Shaffer,
Sonya Shipley and Susan Titus, percussion

Ein seer guter Organistischer Preambel for Lute Hans Neusidler

Guy Smith, all lute pieces

 Aria for Saxophone and Piano by Eugène Bozza 

Stephanie M. Neumann, saxophone; Michael Carroll, piano

Ein guter welscher tantz for Lute Hans Neusidler

Invierno Porteño (Winter in Buenos Aires) for Violin, Cello and Piano by Astor Piazzolla

Marina Rosenquist, violin; Pamela Roberts, cello; Sung-Ling Hsu, piano

Rain Light (inspired by “Rain Light” by W.S. Merwin) by Phil Hirschi
Thirteen Ways of Looking at a Blackbird #1-5  (inspired by “Thirteen Ways of Looking at a Blackbird” by Wallace Stevens) by Phil Hirschi

Bobbi Nikles, violin; Kristina Holm, bassoon; Phil Hirschi, cello; Thomas Blomster, udu (Nigerian drum) and percussion; Roland Nikles, narrator

Mille regretz, NJE 28.25 for Lute (Arr. H. Neusidler)  Josquin de Pres

La Parfum des Fleurs (from the film score to “Yuri on Ice”) by Taku Matsushiba 

Gina Tran and Kristin Smith, violin

Ich klag den Tag for Lute (Arr. Hans Neusidler) by Ludwig Senfl

Romance oubliée, S.527 for Viola and Piano by Franz Liszt
Impromptu by Dmitri Shostakovich
Romance for Viola and Piano, Op. 85 by Max Bruch

Tyrone Beatty, viola; Michael Carroll, piano

Du Fiensela (Dont vient cela) for Lute (Arr. Anonymous)  by Claude Sermissy

Trio for Trumpet, Cello & Piano, Mov. 1 by Eric Ewazen

Kim Clarke, trumpet; Pamela Roberts, cello Sung-Ling Hsu, piano

Tigran Arakelyan

Tigran Arakelyan
Conductor & Artistic Director

Tigran Arakelyan is an award-winning conductor, who holds a number of posts in addition to the Port Townsend Symphony. He is the Music Director of Northwest Mahler Festival and ORS of Tacoma. Previously, he was the assistant conductor of California Philharmonic and made his Walt Disney Concert Hall conducting debut in 2019. Tigran played alongside Sir James Galway during Galway’s induction into the Hollywood Bowl Hall of Fame with the Hollywood Bowl Orchestra. Most recently, 425 Business named Tigran in the 40 under 40 for 2023. He received a Doctorate in Musical Arts from the University of Washington.

http://www.tigranarakelyan.com/

“I believe that it is the conductor’s duty to communicate with the audience throughout the concert to make it an enjoyable and a learning experience for everyone involved.

I believe in building communities through music, involving and inspiring the community through the orchestral experience. An orchestra is an integral part of the community and should work as such through collaborations.

The goal of a symphony orchestra should include, providing education for the community through a variety of projects. This can be done through concerts but most importantly through collaborations. Collaborations with local artists, choirs, dance companies, museums, galleries, theaters, community and professional arts organizations are vital for the growth of a symphony orchestra.”

PTSO April 26, 2026 Farewell Concert

FAREWELL CONCERT – CELEBRATING MAESTRO TIGRAN ARAKELYAN: SUN., APRIL 26 at 2 PM. Chimacum School Auditorium, 91 W. Valley Road, Chimacum.

Tigran Arakelyan is wrapping up his outstanding 9-year tenure as music director of the Port Townsend Symphony Orchestra (PTSO) with this concert. Tigran joined the symphony in 2017 and has ushered the organization through a name change and significantly improved quality of performances, in addition to establishing a chamber music series and young artist competition. The Jefferson County community is exceedingly grateful for Tigran’s dedication to the orchestra over these years and to the success of his tenure in the position. We wish him all the best as he explores new musical opportunities and adventures.

Open dress rehearsals are held at 7 pm on the Friday evening before each Sunday afternoon concert.

PTSO concerts are FREE to attend, but not free to produce. Donations are always gratefully accepted at the door.

Luke Fitzpatrick is a multi-instrumentalist, composer and artistic director of Inverted Space, a Seattle-based new music collective. He recently performed the US Premiere of Isidora Zebeljan’s Three Curious Loves with the Seattle Philharmonic and the world premiere of Joël-François Durand’s La descente de l’ange for violin and clarinet. Additionally Luke has performed with Deltron 3030, Terence Blanchard and the E-Collective and as a touring member of the Harry Partch Ensemble.

Luke has appeared on recordings released by Ablaze and Centaur records. As a composer, his work has been commissioned and performed by The Harry Partch Ensemble, Figmentum, the Morsel Trio and the Parnassus Project. He received a 2023 CityArtists Grant from the City of Seattle to produce Nesting Dolls & Dreamscapes, a work that explores multiple microtonal realms colliding against one another amid a theatrical and improvisatory landscape.

Luke received his training from UMKC (BM), CalArts (MFA) and the University of Washington (DMA) and is currently concertmaster of Seattle Philharmonic Orchestra, Seattle Festival Orchestra, Federal Way Symphony and Emerald City Chamber Orchestra. He also plays regularly with SMCO, NOCCO and the Portland Opera Orchestra. Besides music related things, Luke is an avid dancer and enjoys biking, eating sushi and collecting shoes. He plays on a bow generously on loan from the Kevin Tao Foundation.

PROGRAM

Les Miserables by  Claude-Michel Schönberg  

Luke Fitzpatrick, Violin Concerto Nightfall performed by the composer *Premiere 

Intermission

Fiddler on the Roof by Jerry Bock
Titanic by James Horner 
Phantom of the Opera by Andrew Lloyd Webber

Message from Tigran Arakelyan, PTSO Conductor/Director 2017-2026

Tigran Arakelyan is wrapping up his outstanding 9-year tenure as music director of the Port Townsend Symphony Orchestra (PTSO) during the 2025-26 season. Tigran joined the symphony in 2017 and has ushered the organization through a name change and significantly improved quality of performances, in addition to establishing a chamber music series and young artist competition. The Jefferson County community is exceedingly grateful for Tigran’s dedication to the orchestra over these years and to the success of his tenure in the position. We wish him all the best as he explores new musical opportunities and adventures.

LETTER FROM OUR OUTGOING DIRECTOR TIGRAN ARAKELYAN

“I believe in building communities through music, involving and inspiring the community through the orchestral experience.”

About the Violin Concerto “Nightfall” by Luke Fitzpatrick

Notes by Luke Fitzpatrick

My violin concerto Nightfall was written with a lot of reflection of some of my past work to forge something new and fresh. I wanted to create a distinct sound world to explore and I found the perfect combination of instruments to do so. The piece is in five movements and is scored for solo violin, string orchestra, harp, piano, percussion and zither. 

The first movement entitled Shades of Timebegins with a very cinematic opening. We are then introduced to the various instrument groups with the harp, piano, zither and percussion uniting as a single ‘super’ instrument. This movement at its core explores how duality can be a very expressive force in music.

The second and fourth movements were inspired by my time playing in the Harry Partch Ensemble. I was fortunate to be able to get to play and tour with those incredible instruments for five amazing years. In 2018, I composed a piece entitled Tulpa that the group performed. I arranged two of those movements of Tulpa for Nightfall: The Tomb and End Game. The Tomb is a dramatic warning of sorts and very catchy. End Game embraces and explores the inevitability of the passing of time. 

The third movement of Nightfallis Distention. This movement is an orchestration of a solo violin piece I wrote during Covid entitled A Seismic Plane; Interconnected (2021). I did not intend to write a piece that explores the loneliness and loss of human connection that we all experienced during that time but every time I return to that piece it’s what I immediately think of. 

The last movement is entitled As One and features the Zither very prominently. This is an instrument that I feel has mystical qualities to it. I used it in a previous piece of mine entitled Nesting Dolls and Dreamscapes (2025)with great enthusiasm. This movement unites the instruments together in an extraordinary way. 

I want to thank Tigran Arakelyan and the Port Townsend Symphony Orchestra for commissioning this piece. It’s been a real joy putting it together and I appreciate the opportunity they’ve provided. Tigran is an amazing musician and a good friend. I had no idea when I began working on this piece that he would be leaving the orchestra and that this would be his last concert with the group. In many respects, the way Nightfall ends is a fitting tribute to him as it really supports the idea of all the musicians coming together as one; an idea that he has used to help build Port Townsend Symphony Orchestra into such a great and successful group.