Washington Post: What does a conductor do, anyway? A music critic lays it out.

Gianandrea Noseda conducts the London Symphony Orchestra in a performance of Giuseppe Verdi’s “Messa da Requiem” with a cast of Italian opera stars and the London Symphony Chorus Sept. 19, 2016, at Barbican Centre in London. Noseda is the current music director of the National Symphony Orchestra. (Amy T. Zielinski/Redferns/Getty Images)

By Anne Midgette Classical music critic October 1

Classical music isn’t always welcoming to newcomers. People who dare to ask questions about the genre tend to preface them with a lot of apologies for their own ignorance and for how stupid they assume their question is going to sound. But once we get past that, there’s one question I hear again and again.

Why does an orchestra need a conductor? And what, exactly, does a conductor do?

It’s not a stupid question. Plenty of people ask it. Whole books have been written on the topic, such as John Mauceri’s recent “Maestros and Their Music,” one conductor’s smart and engaging view of the art. Musicians joke about it — warning colleagues not to look at a conductor they dislike, since his podium antics may prove a distraction to playing the music. Then there are orchestras that play without conductors, including the New York-based Orpheus Chamber Orchestra. Such groups sound very good, but when I hear them play with a soloist, I often come away feeling that something is missing.

Click on link to read more: https://www.washingtonpost.com/entertainment/music/what-does-a-conductor-do-anyway-a-music-critic-lays-it-out/2019/10/01/5205df24-decb-11e9-be96-6adb81821e90_story.html

Port Townsend Symphony Orchestra announces 2019-2020 concert season with a new name, mission statement, logo and website

The Port Townsend Symphony Orchestra board shows off an enlarged version of the group’s new logo. Pictured in front row, from left, are Kristin Smith, Tigran Arakelyan and Robert Nathan; standing, from left, are Denise Sample, Miles Vokurka, Vicki Mansfield, Tom Berg, Lesa Barnes, Arianna Golden, Nan Toby Tyrrell, Pat Yearian, Nancy Miskimins and graphic artist James Sample.

The Port Townsend Symphony Orchestra (PTSO) has announced the schedule for its 2019-2020 concert season with a new name, mission statement, logo and website.

Formed in 1987 and known for 32 years as the Port Townsend Community Orchestra, the orchestra board and its members recently decided to change the name to Port Townsend Symphony Orchestra to reflect the important strides they have made since their inception. The orchestra now performs a wide range of works, including symphonies, works by minority and living composers, as well as scores from movies, television, and operas. Featured soloists, both local and visiting artists, further enhance the symphonic experience.

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WELCOME: ARSHAK ARAKELYAN!

CONGRATULATIONS TO

MAESTRO TIGRAN & BAHRIG ARAKELYAN!

Arshak Arakelyan
Arshak Arakelyan

Welcome to

Tigran and Bahrig Arakelyan’s beautiful son, Arshak!

We wish all the best to Mama, Papa and child and hope you can find even a little time to rest before the rehearsal season starts on September 3!

CONGRATULATIONS!

CONCERT: Sunday, October 27, 2019

David Krabill
David Krabill

Fanfare for the Common Man, Aaron Copland

Mozart’s Bassoon Concerto, 2nd movement with Dave Krabill

New World Symphony, Dvorak

2 pm at the Chimacum HIgh School Auditorium
91 W Valley Rd, Chimacum, WA 98325

Our concerts are free to the public – donations are accepted at the door. JOIN US!

Click “Continue Reading” for access to the program notes by Miles Vokurka.

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OTTO SMITH, Concertina Soloist

Otto Smith, Concertina
Otto Smith,

Otto Smith is a Port Townsend resident and a long-time percussionist in the Port Townsend Symphony Orchestra.

This June, Otto will play concertina in the west coast premiere of James Cohn’s “Concertina Concerto” accompanied by members of the chamber orchestra.

Otto moved to Port Townsend from Seattle in 1979, and he’d been playing Irish music on concertina for about a year or two by then. He’d been playing backup guitar in an Irish band, and someone lent him a concertina, which he eventually purchased. He’s been playing concertina ever since — over forty years, now.

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CARL HANSON, Violinist

Carl Hansen
Carl Hanson

Carl Hanson enjoys the variety of alternating between playing principle second violin and playing in the first violin section of the Port Townsend Symphony Orchestra.

He’s one of several original members still performing with this group; he also sang with the “Port Townsend Orchestra Singers” when Dick Ballou was conductor. Carl served on the orchestra’s board for its first fifteen years and was its president during the transition that brought Dewey Ehling to serve as our Artistic Director/Conductor in 1995.

Though Carl enjoys playing a number of stringed instruments — regularly performing a program he calls “Living Life With Strings Attached” — the violin has been his favorite since sixth grade. While a junior and senior at Lakes High School in Lakewood, Washington, Carl performed with a group of five violinists doing strolling music for special events, including two banquets at the old Olympic Hotel in Seattle. In college he played viola in a string quartet.

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HOLBERG SUITE by Edvard Grieg, 1843-1907

Edvard Grieg
Edvard Grieg

From Wikipedia, the free encyclopedia

Edvard Hagerup Grieg (Norwegian pronunciation: [ˈɛdvɑɖ ˈhɑːɡərʉp ˈɡrɪɡː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.[1]

Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city’s largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg’s former home, Troldhaugen, is dedicated to his legacy. https://en.wikipedia.org/wiki/Edvard_Grieg

TICO TICO Zequinha de Abreu, 1880-1935

Zequinha de Abreu
Zequinha de Abreu

From Wikipedia, the free encyclopedia

José Gomes de Abreu, better known as Zequinha de Abreu (September 19, 1880 – January 22, 1935) was a Brazilian musician and composer.

Abreu was born in Santa Rita do Passa Quatro, São Paulo state. He is best known for the famous choro tune “Tico-Tico no Fubá” (1917), whose original title was “Tico-Tico no Farelo”. Other well-known tunes he wrote were “Branca” and “Tardes de Lindóia.”

Because of the lack of written tradition, Tico-Tico is played in various melodic versions all over the world. Abreu died in São Paulo, aged 54. https://en.wikipedia.org/wiki/Zequinha_de_Abreu

ANNE KRABILL, Oboe Soloist

Anne Krabill
Anne Krabill

Anne Krabill holds the title of principal oboe of the Port Angeles Symphony Orchestra, the Port Angeles Chamber Orchestra, and the Port Townsend Community Orchestra. In addition she has performed as principal oboe with the Northwest Symphony in Seattle, the Bainbridge Symphony, the Peninsula Dance Theater in Bremerton, the Sooke Philharmonic in British Columbia, and was a guest performer with the 82nd Airborne Division Band in North Carolina.

Prior to moving to Washington, Anne was the principal oboist with the Atlantic Symphony Orchestra in Halifax, Nova Scotia. She taught oboe and chamber music at Dalhousie University, and performed frequently for the CBC with the ASO and as a soloist and chamber musician. Anne and her husband, David, a bassoonist, own a reed manufacturing business and sell oboe and bassoon reeds internationally.

She is a native Canadian and received a Bachelor of Music from Mount Allison University. Her oboe studies continued in Stuttgart, Germany with Gustav Steinert, and in London, England where she won a scholarship to study with the legendary oboist, Leon Goossens.